WHERE THE WHOLE THING BEGAN
HERE IS AN ANALOG MASTERING CHAIN AND DIFFERENT HIGH QUALITY MONITORING SYSTEMS. STUDIO B IS OPTIMIZED FOR THE TWO LAST PHASES OF THE PRODUCTION, MIXING AND MASTERING INCLUDED STUDER A80 1/4' MASTER TAPE RECORDER. HOWEVER THE RECORDING ROOM IS CAPABLE OF HANDLING ADDITIONAL RECORDING TASKS IF NEEDED (VOCALS, OVERDUBS, REAMPING, ETC.).
RECORDING & MIXING CONSOLES, MONITORING
AMEK MEDIA51 60CH WITH RUPERT NEVE EQ AND PREAMPS, NEUMANN KH-420, KH-310, KH-120, DYNAUDIO M3, YAMAHA NS10, AKG K1000, SENNHEISER HD800
ANALOG RECORDERS, DAW
AMPEX ATR124 2" 24CH TAPE RECORDER, STUDER A80 1/4' MASTER TAPE RECORDER, EQUALIZERS: WEISS EQ1-MK2G, ML 8200 EQ, FOCUSRITE RED 2, MEDIA51-RUPERT NEVE EQ, PROTOOLS HD3 RECORDING SYSTEM, APOGEE SYMPHONY 32IN/32OUT, APOGEE SYMPHONY, UNIVERSAL AUDIO 2192, MAC PRO WITH UAD OCTO PCIE CARD,
NATIVE DSD256 RECORDINGS: MERGING HAPIS, ANUBIS, PYRAMIX MASSCORE
PREAMPS, EFFECTS,
API 3124+, AVALON 2022, NEVE 1073 DPA, FOCUSRITE ISA110, FOCUSRITE RED, UNIVERSAL AUDIO 2-610, AVALON U5, MEDIA51 RUPERT NEVE PREAMPS, QUANTEC 2493 YARDSTICK, LEXICON 480L, TC ELECTRONIC M6000
MICROPHONES
AKG D12, BEYERDYNAMIC M88, BLUE BLUEBERRY, CROWN PZM-30GP, DPA 4007, DPA 4047, ELECTRO VOICE RE20, NEUMANN KM84, NEUMANN U47 FET, NEUMANN U87, SCHOEPS CMC 5U+MK4+MK2, SE ELETRONICS Z5600A, SENNHEISER E606, SENNHEISER E902, SENNHEISER MD421-U5, SENNHEISER MD421, SENNHEISER MKH 415, SHURE BETA52, SHURE BETA57, SHURE BETA91, SHURE SM57, SONY C48, YAMAHA SUBKICK
DRUMS
YAMAHA RECORDING CUSTOM: 22, 20 BD, 8,10,12,13,14,16,18 TOMS, SONOR SIGNATURE: 22 BD, 8,10,12,14,16 TOMS, SONOR PHONIC: 22,24 BD, 10,12,13,14,16,18 TOMS, SONOR LITE: 22 BD, 12, 13,16 TOMS, LUDWIG: 24 BD, 14, 16, 18 TOMS, SNARES :YAMAHA, SONOR, ANGEL SNARES
CYMBALS
TURKISH KURAK 13”, 14” HH, 8”,10” SPLASH, 17”, 18” CRASH, 18”, 19” CHINA, 20” 21" 22" RIDE, PAISTE 2002 BLACK BIG BEAT 15” HH, 18”, 20”, 22”, PAISTE 60214” HH, 16”, 18” CRASH, 20”, 21”, 22” RIDE, 20” FLAT RIDE